![]() If you don’t put any inverse delay, your sync arrives after the switcher sync and has to wait for the next one, creating an extra frame of delay. By pre-timing the incoming program sync your camera signal will arrive before the next frame sync of the switcher. Vimeo is an ad-free video platform, providing free video streaming services as a competitor to YouTube. This can save you a full frame through the system. In your URSA Broadcast you need to set your timing to about -10 lines before your program sync. I suppose you're not using a sync signal in the chain, this should significantly reduce the delay, for instance the atem needs one frame (+1 for the dve) only if it needs to use the frame synchronizers Linden deCarmo wrote:Thanks Daniel for the info on the latency of the URSA Broadcast. We don't use it real time but for our archives. Problem report threads have existed on these forums for years without any particular answers. This device has a huge delay and then drifts. You also get revolutionary new visual routing with the unique spin knob control, push button panel and the built in LCD screen. The paywall solution is integrated inside the player. H.264 Pro Recorder 100-300 milliseconds. Ideal for larger workgroups and mobile broadcasting, it includes advanced 6G-SDI connections so you can simultaneously connect and route any combination of SD, HD and Ultra HD video all on the same router at the same time. Using Dacast, VideoHUB offers Pay Per View live streaming to its clients. Stream TV episodes of Greys Anatomy, This Is Us, Bobs Burgers, Brooklyn Nine-Nine, Empire, SNL, and popular movies on. ![]() Preliminary results are that audio is delay ~1 frame 33ms over a Decklink 8K Pro Anyone know a source that has latency info for Mac audio drivers? Variable delays that I'm trying to quantify still, these seem to be where our problems lie So far, I've found out these fixed latencies in our system: Thanks Daniel for the info on the latency of the URSA Broadcast. ![]()
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